Tuesday, October 14, 2008

Matthew Carter


The most im
portant typography designe
r of our time, MATTHEW CARTER
 (1937-) is one of the few design
ers whose work is used by millions of people every day. Having devoted the first h
alf of his career to
 typefaces for use in print, such as Miller and Bell Centennial, he then pioneered the de
sign of fonts for use on screen,
 notably Verdana for Microsoft.
One of this century´s foremost type designers and co-founders of Bitstream, (America´s first digital type foundry), Matthew Carter shares his insight and experience regarding 20th century typography in America, ATF, Morris Fuller Benton, Linotype, ITC, Swiss International type design, current typographic movements and more.
Today Carter is the principal of Carter & Cone Type in Cambridge, Massachusetts. One of this century's foremost type designers and co-founders of Bitstream, (America´s first digital type foundry), Matthew Carter shares his insight and experience regarding 20th century typography in America, ATF, Morris Fuller Benton, Linotype, ITC, Swiss International type design, current typographic movements and more. Today Carter is the principal of Carter & Cone Type in Cambridge, Massachusetts. One of this century´s foremost type designers and co-founders of Bitstream, (America's first digital type foundry).

Matthew Carter was born in London, England in 1937.
He was a major contributer in turning metal type into digital type
Being on of the cofounders of bitstream inc which is currently one of the largest suppliers of type. He eventually left and moved on to create carter and cone.
He works on making typefaces more readable.
He works for apple and microsoft computers.
his fonts for the computer include 
  • Verdana
  • Georgia
he has won awards such as 
  • Honoris Causa Doctorate of Humane Letters
  • Aiga medal
  • 2005 SOTA typography award
  • TDC Medal
He has designe
d type for 
  • time
  • the washington post
  • the new york times
  • the boston globe
  • wired
  • Newsweek
he is active in type design, teaching, writing, typography, punchcutting, and low resolution Type Design

Wikipedia

http://www.designmuseum.org/design/matthew-carter


http://www.myfonts.com/person/carter/matthew/


www.carterandcone.com

http://images.google.com/imgres?imgurl=http://www.fonts.com/NR/rdonlyres/652DDAEA-871E-4DBE-80A7-
66C288CD2325/0/carter.gif&imgrefurl=http://www.fonts.com/AboutFonts/DesignerProfiles/MatthewCarter.htm&h=246&w=180&sz=37&hl=en&start=6&um=1&usg=__SG4fve5dYj2JXElzL1d0w-8bcb4=&tbnid=92t9XoTYibiGVM:&tbnh=110&tbnw=80&prev=/images%3Fq%3DMatthew%2BCarter%26um%3D1%26hl%3Den%26client%3Dsafari%26rls%3Den%26sa%3DN




Books i plan to check out

Margaret Rey, Typographically Speaking: The Art of Matthew Carter,  Albin O. Kun Library & Gallery, University of Maryland, Baltimore County, 2002

Ken Shulman, Matthew Carter: Man of Letters, Graphis 325, January/February 2000

J Abbott Miller, Matthew Carter: Gentleman Typographer, Graphic Design USA: 17

Moira Cullen, The space between the letters, Eye, Vol. 5, No. 19, Winter 1995

Erik Spiekermann, Reputations: Matthew Carter, Eye, Vol. 3, No. 1, 1993

Ulrich Boser, A Man of Letters, US News & World Report, Vol. 135, No.6, September 1 2003



Matthew Carter's typefaces include:









Barry Deck

WHO AM I?
let me tell you...
  • I am designer of 20 typefaces
  • Born: Mount Pleasant, Iowa, 1962
  • Designer for places such as apple, nike, and coca cola

    coca-cola-1.jpg

  • i have been mentioned in history of graphic Design, times new york magazines, wired, metropolis, Emigre, and graphis
  • I have lectured as well as taught

    barrydeck.com.jpg

  • "I am really interested in type that isn't perfect. Type that reflects more truly the imperfect language of an imperfect world inhabited by imperfect beings." 
    - Barry Deck
  • I started as a junior designer for lipmon and simmons in chicago
  • I moved on to graphic design for Kim Abrams Design
  • After about a year he returned to school at Masters of Fine Arts Programme at the california Institute of Arts
  • For his time period people believed that he was a bit radical and began to change the conservative thought on type
  • He is known for his distorted typefaces.
  • his company is Barry Deck llc Current issue BV
  • Another name for his company is Dymedia

  • Creative Director at Ogilvy & Mather

  • Partner at Autotroph, Inc.
  • Art Director at Raygun Magazine



coke_leggsy_screens_04.jpg

Fonts
  1. Barry sans Serif

  1. CanicopulusScript

  1. Mutant industry Roman

  1. Bombadeer

  1. industry Sans

  1. Template Gothic

  1. Arbitrary Sans

  1. Caustic Biomorph

  1. Cyberotica


  2. Turth

  1. Traitor

  1. Eunuverse

  1. FauxCra

  1. Moderne Sans

nike_image_001.jpg

Clients

+ The Coca-Cola Company
+ Nike
+ Apple
+ AT&T Wireless
+ Vodafone
+ Heineken
+ Electronic Arts
+ DuPont
+ Sony
+ Siemens
+ Philips
+ Charles Schwab
+ Hewlett-Packard
+ SAP
+ DreamWorks
+ Warner Brothers
+ American Film Institute
+ Universal Studios
+ E! Entertainment TV Network
+ Sundance Channel
+ PBS Public Broadcasting Service
+ Nickelodeon
+ Vh1
+ Stalking Muses
+ MoMA
+ MOCA
+ City of Los Angeles
+ The Getty Research Center

ogo_ooh2.jpg


services: 
+ Brand Identity Platforms 
+ Design and Branding Guidelines 
+ Activation and Messaging for New Brands 
+ Packaging Systems 
+ Signage Systems 
+ Print Collateral Systems 
+ Interactive Design


http://books.google.com/books?id=jxV4qEolEo8C&pg=PA72&lpg=PA72&dq=barry+deck&source=web&ots=-AiSjw5a_Z&sig=-abIlIGNnFmReZtSR7Lg5DmhDPE&hl=en&sa=X&oi=book_result&resnum=9&ct=result#PPA72,M1